Climate Resonances is a sonic sound installation that explores the human impact on the environment by transforming climate data into a tangible acoustic experience. Eleven brass cymbals serve as resonant bodies, stimulated by transducers at their specific frequencies, capable of producing high sound pressure levels in the upper frequency range.
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The Tokamak is a cosmic band journeying to the edges of the imaginable – to places where new boundaries emerge, telling stories of a future filled with inspiration. A future where humans and ma-chines create synergies that feel both alien and familiar. The Tokamak is a sonic experiment, a pulse of techno-jazz and machine-driven indie poetry.
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NACHHALL, an exhibition by Tobias Euler, was on display from September 29 to October 11, 2024, at the Wasserspeicher in Prenzlauer Berg. The exhi-bition was dedicated to the victims of National Socialist terror. Using sound objects and historical audio materials, Euler created a space for engaging with Berlin's history.
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Sounds of Hyphae and Mycelia is an immersive sound installation by Berlin-based artist Tobias Euler, which combines analog instrument fragments such as church organs and accordions with digitally controlled pneumatic sound modules. The mechanics of sound production are made visible and tangible through a network of air hoses, electrical cables, and control wires, while the installation evolves throughout the exhibition.
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Based on the works of Moondog, composer Thies Mynther and theater maker Veit Sprenger, in collaboration with visual artist Tobias Euler, have created an interventionist music machine. The Moon Machine is a mobile music island, a bricolage featuring pneumatic instruments and mechatronic sound automatons, sun umbrellas, signal horns, and acoustic collision warning devices, played by the two performers Mynther and Sprenger.
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