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Climate Resonances is a sonic sound installation that explores the human impact on the environment by transforming climate data into a tangible acoustic experience. Eleven brass cymbals serve as resonant bodies, stimulated by transducers at their specific frequencies, capable of producing high sound pressure levels in the upper frequency range.

The transformation of measured data into acoustic signals is achieved through a customizable software platform capable of processing any live data input. The overlapping frequencies of the eleven cymbals generate a dense network of microtonal overtones, creating a rich and immersive sonic texture.

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The Tokamak is a cosmic band journeying to the edges of the imaginable – to places where new boundaries emerge, telling stories of a future filled with inspiration. A future where humans and ma-chines create synergies that feel both alien and familiar. The Tokamak is a sonic experiment, a pulse of techno-jazz and machine-driven indie poetry.

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NACHHALL, an exhibition by Tobias Euler, was on display from September 29 to October 11, 2024, at the Wasserspeicher in Prenzlauer Berg. The exhi-bition was dedicated to the victims of National Socialist terror. Using sound objects and historical audio materials, Euler created a space for engaging with Berlin's history. 

A supporting program of lectures and guided tours complemented the project, offering deeper insights and fostering reflection.

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Based on the works of Moondog, composer Thies Mynther and theater maker Veit Sprenger, in collaboration with visual artist Tobias Euler, have created an interventionist music machine. The Moon Machine is a mobile music island, a bricolage featuring pneumatic instruments and mechatronic sound automatons, sun umbrellas, signal horns, and acoustic collision warning devices, played by the two performers Mynther and Sprenger.

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